Ram Leela Verfügbar auf
Leela ist ganz anders als die Frauen, die Ram sonst umgarnen: Kein Zwinkern, kein Muskelspiel scheint die schöne Fremde zu beeindrucken. Stattdessen wickelt sie den Macho selbstbewusst um den kleinen Finger. In inniger Liebe zueinander widerstehen. Ram-Leela (Hindi गोलियों की रासलीला रामलीला Goliyon Ki Raasleela Ram-Leela) ist ein Hindi-Film, der am November in Indien und am. Leela (Deepika Padukone) ist ganz anders als die Frauen, die Ram (Ranveer Singh) sonst umgarnen: Kein Zwinkern, kein Muskelspiel scheint die schöne. obblankett.se - Kaufen Sie Ram & Leela günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. obblankett.se: Ram & Leela: Movies & TV.
- Check out this hot new Ram Leela poster and What do you think of their scorching chemistry? Leela ist ganz anders als die Frauen, die Ram sonst umgarnen: Kein Zwinkern, kein Muskelspiel scheint die schöne Fremde zu beeindrucken. Stattdessen wickelt sie den Macho selbstbewusst um den kleinen Finger. In inniger Liebe zueinander widerstehen. obblankett.se: Ram & Leela: Movies & TV. Really. ach europa arte agree und Team. Farbenfroh, gespickt mit den typisch indischen Tanzsequenzen. In inniger Liebe zueinander widerstehen sie der Tatsache, dass ihre Bindung nicht sein darf: Ram und Leela gehören bis aufs Blut https://obblankett.se/filme-stream-seiten/die-bergretter-heute.php Familienklans an. Die in Bollywood Filmen manchmal recht hölzern wirkenden Dialoge geraten passend dazu an einigen Stellen ins Source. Was sofort ins Auge sticht ist die Leidenschaft, die augenblicklich zwischen Ram und Leela entfacht. Überprüfen Sie die Systemanforderungen. When Ram and Leela see each other for the wohnung dГјren time, their worlds collide, wars are fought and destinies are written in blood, forever. Genres Drama Romanze.
Ram Leela VideoIshqyaun Dhishqyaun (Video Song) - Goliyon Ki Rasleela Ram-leela - Deepika Padukone -
Showing off his toned muscles, Ranveer is snapped posing in a garage in this throwback photoshoot.
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See what's trending now. Modern adaptation of William Shakespeare's 'Romeo and Juliet' with an Indian twist, the film focuses on the story of Ram and Leela, their love, lust and the drama afterwards.
Goliyon Ki Raasleela Ram-Leela, one of the most anticipated movies of the year releases with all its bang and reveals itself as least related to stuff for which it had been declared controversial.
Sanjay Leela Bhansali's take on Romeo-Juliet, despite a known script, seems quite refreshing. The visuals, nobody questions, is by far Bhansali's best.
Utterly flawless. One and find Ram-Leela's visuals standing far ahead of them. The symmetry he puts in, the pattern he develops in every visual is like the best artist would.
SLB's poetry, dialogs and expression are so well that you might want other directors to get training from him.
The professionalism is of Hollywood standard. The songs are already chart-topping Nagade Sang Dhol was No. So well choreographed are these dances that you couldn't stop yourself from thinking of performing them on some occasion.
Though a bit raunchy, Ishkiyaon Dhishkyon seems more funny than vulgar. Priyanka's item number gives mph effect. We do not doubt that Deepika Padukone, who has established herself as an equal of the Vidya Balan and Shaban Azmi only betters herself with this movie, giving her critics a yet bigger challenge.
She, as Leela, is flawless. You wouldn't be watching Deepika Padukone, but Leela in the movie. This is his best performance so far.
In fact, this is the best performance of the year by a male actor. Richa Chada is shockingly real as Leela's sister-in-law and Supriya Pathak, though sounds a bit like Hansa, is exhilarating and fear-inducing.
Every dialog she delivers is pitch perfect. The perfection that Bhansali has expressed in all the aforementioned topics gets polluted by the flawed script.
Though in the first half you do not notice how time passes with the songs, acting and the chemistry setting fire to the screen, the second half takes a U-turn.
The second half begins with impracticality, which moves on to deal with various serious topics, which is exceptional to a love story.
What becomes a problem here is the absence of effective execution of these scenes. The sub-plots are in abundance but all last for so less time that the tears of Leela and Ram do not reflect on the audience's eyes.
Before the audience could feel the pain, the scene changes. The ending becomes more like a fairy tale which ruins all the realistic happenings of the movie.
One must definitely watch this class-and-mass movie for entertainment, visuals, star performances, songs, and by far the best adaptation of Romeo and Juliet by Bollywood.
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Official Sites. Bhansali ordered Chadda to watch Mirch Masala to prepare for her look, which was inspired by Smitha Patel.
Chadda also attempted to mimic Patel's acting. Devaiah said that his character was from the Jadeja clan and has "enough shades of grey" and was "nothing" like he had done in his career at that point.
Singh, who plays a Gujarati boy, had to learn some Gujarati abuses as well as gain muscle for his character in the film.
He managed to get the required look in six weeks. He was put on a diet of fish, broccoli, turkey and green tea and was prevented from eating roti, rice or sweets.
Singh said, "I had to work out one hour in the morning and one hour in the evening. I would work out at 5 in the morning, start shooting from 9, shoot for the entire day till 6 pm and then return to workout for an hour again.
She attributes Bhansali's perfectionist outlook as the reason, while admitting she became emotional on the set. According to her, the Garba performed in the film was a folk one, rather than the commercial ones often played.
Padukone spent more than 12 hours a day for the workshop, which involved partying, watch films and attending premieres together with Singh.
Since the two weren't familiar with each other, Bhansali wanted them to socialise. There were rumours that Madhuri Dixit would be performing an item number for the film.
Wasiq Khan was the production designer for Ram-Leela. Khan finished working on Rowdy Rathore , a film produced by Bhansali, when he was called for Ram-Leela.
According to Khan, Bhansali sometimes took 3 to 5 hours for one shot to achieve "perfection". Since Bhansali wanted to focus on Gujarat's architecture and royal havellis, the film was to be "grand and larger than life".
He said that the challenge was to make the film both a romance and action film as the film would have a "rustic feel and texture" depicting action scenes, with lots of people fighting.
Khan found it hard to maintain his realistic designs with Bhansali's "grand sets, big shots, and beautiful costumes".
Khan found the experience of creating sets for Ram-Leela "different" from his previous films. Bhansali and Khan spent about 2—3 months observing locations and discussed references and drawings.
According to Khan, despite the decision to shoot half of the film on the sets and the other half in real locations, 90 percent of the film ended up shot on sets due to difficulties to shoot action sequences in real locations.
Some of the sets were created in Reliance and Film City. Interior sets were created at Reliance while an exterior set used to show the mohallas, streets and markets was set in Film City.
Khan and Bhansali travelled through villages in Gujarat and got references from the lifestyle, costumes and markets, which were used for putting together the sets.
The storage area of weapons are made so that the guns poke out of "straw baskets and from inside shimmering back-lit glass cases".
The chamber in which Leela and Ram exchange messages has paintings of Raja Ravi Varma hung with "diaphanous curtains".
The walls are rough hued and lined with glasswork patches. The film's costumes were designed by Anju Modi and Maxima Basu — Modi designed Padukone's clothes while Basu designed costumes for the rest of the cast.
Ram's look was inspired by Rabari tribesmen. Ram was a character who was "exposed to the world" yet resides in a village in Kutch, making his clothes have duality.
According to Basu, "for every ripped jeans or boots he sports, you also see him flaunting a kediyu and kohl-rimmed eyes.
Modi journeyed to the Bhoj region of Kutch and bought pieces of antique textiles from the villagers; she had to "mix and match" it with new fabric to create singular outfits.
This was done to make Padukone's outfit "as authentic as possible". Jewellery was taken from Amrapali Jewels, who lend their antique archives for shooting; these were not for sale.
The dialogues of the film were written by Sr. Manager Sawan Vyas . After Modi was finalised as the costume designer, she was sent the script for studying the character of Leela.
For the promotional poster, Modi created a 30 kilo lehenga. Initially shot in Gujarat , some sequences of Ram-Leela were shot in Udaipur , particularly at Udaipur palace and Gangaur Ghat where a song sequence was shot.
For the song 'Tattad Tattad', Singh had 30 trials for his costume, after which Bhansali suggested that he shoot shirtless.
In February , the cinematographer Ravi Varman injured himself on set and suffered a fracture on his hand, leading to shooting being postponed till April.
He contrasted the planned shooting with that of his previous venture Saawariya , which was entirely shot on sets constructed in a studio.
Labelling outdoor shooting as "a big challenge" he added that shooting with different kinds of architecture was "interesting". He felt that putting the lead pair in a real space was "liberating" and that he reacted to spaces "very differently", while noting that parts of Hum Dil De Chuke Sanam and Guzaarish were shot on real locations.
The soundtrack album is composed by Sanjay Leela Bhansali ,  which is his second film after Guzaarish , and lyrics were written by Siddharth—Garima.
Monty Sharma composed the background score. The soundtrack album was released on 2 October after a delay due to Ranveer Singh's health issues.
Daily News and Analysis gave the album four stars out of five and called it "a feast for music lovers" and writes, "Bhansali adds grandeur to the album with his compositions but at the same time gives enough space to the singers to shine.
Bhansali has put his best 'musical' foot forward. The first teaser of the poster, featuring the lead actors standing on a cluster guns, was released in January Some religious groups opposed the movie claiming that the former title Ramleela was misleading because the movie had nothing to do with Ramlila , traditional enactment of the life and story of Hindu deity, Lord Rama.
A local court in Mumbai has issued an "ex-parte ad-interim stay" over the use of term Ramleela in the movie title. Ram-Leela released on 14 November Ram-Leela received positive critical reviews.
Three years ago you'd never have expected her to improve so drastically and command the kind of energy she does now. Shubha Shetty-Saha of Mid-Day gave four stars out of five and labelled the film "a must watch", praising the performances of Pathak, Padukone, Singh, Kelkar, Chaddha and Bisht but felt that Devaviah's talent "seems wasted".
The striking thing about her performance as Leela is how tightly coiled and tense it seems; she's ready at a moment's notice to kiss or kill or both , never passive, never merely a photographic subject.
David Chute of Variety praised the dance numbers, writing, "The most effective sequences the two stars have together are the large-scale dance numbers, which are beautifully and imaginatively staged.
The technical aspects of the film are extraordinary: breath-taking sets, spellbinding cinematography, perfect music and a wonderful supporting cast.
Deepika is perfect in every scene. Ranveer has surrendered to the director's vision and delivers a power-packed performance.
Shubhra Gupta of The Indian Express gave the movie 2. It's when the guns come on, and the gun-masters start roaring and shouting, that the love-story drowns, and everything gets both too noisy and too choreographed.
He criticised Singh's performance, while calling Padukone "something worth staring at". From Wikipedia, the free encyclopedia.
For dramatic stagings of the life of Rama, see Ramlila. For other uses, see Ramleela disambiguation. Theatrical release poster.
Bhansali Productions Eros International . Sanjay Leela Bhansali. India portal Film portal Bollywood portal.
Archived from the original on 27 January Archived from the original on 20 November Retrieved 20 November Archived from the original on 17 February Retrieved 18 February Archived from the original on 21 December India Today.
Archived from the original on 18 February Writers Siddharth and Garima: "It was a great experience working with a man who understands the importance and depth of every written word.
Archived from the original on 24 June Deccan Chronicle. Archived from the original on 3 November Archived from the original on 6 July Archived from the original on 17 October Archived from the original on 2 December Archived from the original on 26 August Indo-Asian News Service.
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